NOT SCIENTISTS (F)

Born from the still-glowing ashes of Uncommonmenfrommars, Not Scientists emerged from a finely crafted sonic blend created by guitarists Ed and Jim, and a young rhythm section masterfully handled by Le Bazile (No Guts No Glory, Supermunk) and Thibault. Driven by a fierce desire to brighten their guitar tones without sacrificing the raw power of their sound, the four musicians quickly wrote enough songs to hit the stage and (re)claim their place as kings of the road. From bar venues to clubs, from tiled pub floors to elevated festival stages across Europe (and even in the U.S.), Not Scientists carved out their path racking up thousands of kilometers in their van and winning over crowds, first curious, then loyal, with their indie-leaning harmonies powered by crystalline guitars, melodic vocals, and a crushing rhythm section.
In the true spirit of the French independent music scene, Not Scientists soon released their first EP, LEAVE STICKERS ON OUR GRAVES, to lay the foundation for this new project, followed by a debut album, DESTROY TO REBUILD, which immediately stamped their identity. That of a sonic war machine, leaving no one untouched in its wake. End of round one.
The creative shift that came with GOLDEN STAPLES, their second album released in 2018 (preceded by a split 7″ with the unstoppable Australian band Hard-Ons), was crucial in shaping the band’s evolving sound. Melodic richness and guitar clarity were enhanced with New Wave influences and slower BPMs. Not Scientists refined their sound and affirmed their love for effective, hook-driven songwriting. A true live band, they played relentlessly until late 2019, when Thibault departed and was replaced by Tatane (bassist of No Guts No Glory).
The first COVID-19 lockdown didn’t break Not Scientists’ creative momentum. On the contrary, it boosted it. Cut off from live shows and unable to meet in person, the band went deeper into their desire to explore ’80s-inspired tones they had only touched on in GOLDEN STAPLES. Santi Garcia, already involved in their second record, helped them approach a new atmosphere with the addition of synth textures, distorted drums, and deep reverbs. In February 2023, he brought to life STARING AT THE SUN, their third album featuring stunning cover art and irresistibly catchy tracks. A mature and confident album, it showed a band eager to explore new sonic landscapes without ever abandoning their punk-rock energy. The risk paid off, with the album receiving strong praise from the music press.
Behind the scenes, though, the band faced the departure of Jim. Federico, former guitarist of The Pookies and a longtime friend of the band, rose to the occasion and joined at the last minute. His personality and experience quickly proved to be assets, and the band resumed touring. In spring 2024, they released STARING AT THE MOON, an EP including several live tracks performed by Federico.
Now a full-time member, Federico left his mark on stage and soon felt the need to contribute to writing new songs with the goal of recording a new album. In a relaxed and positive environment, the band got back to work and composed “VOICES”, their fourth album, released in September 2025, pushing even further their desire to surprise themselves while staying true to the values that have made them a key player in the French indie rock scene for over a decade.
“VOICES” is a radiant album. A record where the warmth of guitars collides with the coldness of machines, where blazing verses give rhythm to cheeky melodies and lucid choruses, updated for today’s listeners.
As always, the lyrics are inspired by personal stories and everything happening in the world, and around us. Fear, failure, hope, everyone can take away their own reading of the society we live in, and what we choose to make of it.